Full disclosure: I love jukebox musicals…and I hate the song “Sherry.”
Yes, I know “Sherry” is the song that catapulted Frank Valli and The Four Seasons to fame in 1962 and that it’s an early indicator of songwriter Bob Gaudio’s immense talent. It’s not the song’s fault that my ears have suffered more than their share of off-key falsettos warbling “Sherry Baby” to me through the years.
. . .this one is a winner.
The dreaded song, however, has a starring role in “Jersey Boys” now stage at Shea’s Performing Art Center only until Sunday… and deservedly so. This is a super-slick, entertaining show packed with pop hits from the 1960s to the late 1970s with a wee bit of pop music history thrown in for good measure.
This production (not part of the regular Shea’s subscription package) is a blast. It’s bright and the right amount of loud, with a tight on-stage band, and a great cast of singers. Jon Hacker hits the right high notes as Frankie Valli with his tenor and tremulous signature falsetto. Eric Chambliss as songwriter-keyboardist Bob Gaudio is the perfect combination of talented erudite and pop music talent wrapped up in a good guy package. Corey Greenan as band organizer-bad boy Tommy DiVito has a laughably bad downstate Italian-American-Bronx accent, but he has the swagger and charm that goes with the real deal. Michael Milton as bass player Nick Massi has great deadpan delivery as the quiet guy in the back. Near the end of the show, he lands ‘the’ line of the night: listen for it to fully appreciate what it’s like to be the one out of four who is the easiest to overlook.
If you tuned your transistor radio to WKBW 1520-AM back in the day, these are the songs you heard in what disc jockeys called ‘heavy rotation.’ They were the hits that sold records and concert tickets and inspired other guy and girl groups to give it a go. Great pop tunes like ‘Rag Doll,’ ‘Big Girls Don’t Cry,’ ‘Walk Like a Man,’ ‘Dawn,’ and ‘C’mon Marianne’ were the leaders in the Four Seasons canon and live on today in our hearts and oldies stations everywhere. You’ll hear some full songs and some stripped down versions in this production and this cast delivers them well and leaves you wanting more.
The downside of some jukebox shows is the script. “Jersey Boys” is the life story of band itself (yup, four guys from New Jersey) and this script is the Cliff’s Notes version of their lives and careers together, with a couple dashes of personal biography tossed in. This script is pretty much a few maybe-almost-true words to knit the song list together. In this case, it’s OK: it’s the music I came to hear. You only need a passing familiarity of their history to connect with the ‘it’ factor that made them the icons they are. Legend has it that Valli and Gaudio formed their partnership with a handshake only…no lawyers, no paperwork, New Jersey style…and even in the litigious 21st century, their deal is still solid. If the backstories area little manufactured to make good theatre, well, here it’s forgiven. Just give me another chorus of ‘Can’t Take My Eyes Off of You.’
As touring shows go, this one is a winner. Be prepared to get on your feet at the end and sing along a bit. It’s just one tune (the show needed a longer ending mega mix), but you’ll leave the theatre with a smile on your face.
“Jersey Boys” runs a little longer than two hours with a 15-minute intermission. Get online quickly for tickets for this limited run, http://www.sheas.org.
Categories: Cherie Messore Reviews