Long before there were hours of football on TV and the ubiquitous electronic devices in the hands of teens at the dinner table, families made Christmas memories by spending time together. They would sing songs, tell stories, indulge in the art of conversation, and help rescue various kitchen catastrophes. You know, like when your new-fangled gas stove blows up and makes a foul (fowl?) mess of Christmas dinner.
” Thank you, ICTC, for this early gift.”
These moments are at the heart of “A Child’s Christmas in Wales,” presented by the Irish Classical Theatre Company now to December 15. Based on the prose of Dylan Thomas, his 1952 reflections were adapted for the stage 30 years later by Jeremy Brooks and Adrian Mitchell.
It’s a simple work, really. Thomas’ stories about his boyhood Christmas celebrations could be anyone’s stories. The happy sounds from a houseful of relatives, those memory snapshots of racing around outside with cousins and pals, poignant thoughts of the older generation now passed…all part of the Christmas canon. ICTC does this show really well. Director Chris Kelly has the dream team of local actors on stage for this, starting with Joseph Donohue III and Brandon Barry (from The Albrights) providing the music. They give a contemporary nod to some Christmas classics, starting with the plaintive sweetness of “In the Bleak Midwinter.” Vincent O’Neill is grown up Dylan; his reminiscing is wistful, almost ethereal. Young Dylan is Tyler Eisenmann, totally in the moment enjoying his youth and family foibles. Michele Roberts as Mother; Ben Michael Moran as Father; Nicole Cimato as Hannah with her ever-present flask; Christian Brandjes as Gwyn; Karen Harty as Nellie; Brittany Bassett as Brenda; Renee Landrigan as Glenda; Gregory Gjurich as Tudyr; Charmagne Chi as Bessie; and Megan Callahan as Elieri wear their roles like perfectly knit woolen mittens. Highlights are Chi’s rendition of “The Holly and the Ivy” in its pure loveliness and Roberts’ comic chops when she’s coping with that new-fangled gas stove in her kitchen.
I always appreciate ICTC’s artful and minimal staging; it’s elegant to suggest a living room, the streetscape and countryside with almost very few set elements. Set Designer Primo Thomas feeds our imagination with this beautifully. Director Kelly then has to lead his cast through imaginary spaces and places under a canopy of flickering lanterns suspended overhead. These small touches, with sparse pine bough and buffalo check bows suggest countryside and homemade décor. Perfection. With a cast this talented, it looks effortless.
“A Child’s Christmas in Wales” is all about sentiment and nostalgia in the season where heart-felt memories ground us and remind us that hearth and home are best. Thank you, ICTC, for this early gift.
The show runs slightly over two hours with one 10-minute intermission. Find details and tickets at www.irishclassical.com.
Categories: Cherie Messore Reviews