Gail Golden Reviews

Theatre Review: ‘Sister Robert Anne’s Cabaret Class’ by Rocking Horse Productions at The Meeting House

Sydney Perkins is Sister Robert Anne in “Sister Robert Anne’s Cabaret Class.”

Rocking Horse Productions has recently moved to the charming Williamsville Meeting House for a season of Theatre in the Village. I attended the opening performance of Dan Goggin’s Sister Robert Anne’s Cabaret Class: A One Nun-sense Musical Event. The Rocking Horse season will continue in March with the musical revue Forever Plaid.

Sister Robert Anne’s Cabaret Class is one of ten popular Nunsense musical shows which include a Christmas show, a country western show, a Hollywood show, and even Meshuganuns – an all faith show! This time around Sister Robert Anne has broken away from the other nuns for an evening to teach a class in how to create your own cabaret act. The many songs in this one woman show are a collection from the rest of the Nunsense series.

. . . a crowd pleaser and got a well deserved standing ovation from the enthusiastic opening night audience.

Sister Robert Anne is one tough cookie! She was born on the wrong side of Brooklyn and raised in a jazz club. Taking the veil hasn’t changed her a bit. She’s feisty, out spoken, and full of pep. The vivacious Ms. Sydnie Perkins plays the role in this production and she’s a powerhouse! Miss Perkins is full of energy – singing, dancing, working a puppet, getting a lot of milage out of her feather boas, and hobnobbing with the audience. She’s a keg of dynamite and her sparkly performance will put a smile on your face. She bounces through the novelty numbers and is very effective with the ballads.

Musical highlights of the production are “What Would Elvis Do” in which Sister is backed up on stage by a chorus line of audience volunteers and the ballad “I Left Him There” which is delivered with great heart by Ms. Perkins.  

John Szablewski is both the Musical Director and the jovial Father John who, in addition to providing spritely and steady piano accompaniment, is the evening’s unofficial MC. We all enjoyed his reactions to the proceedings, his little touches (including the funny glasses), and his occasional humorous ad libbing with Sister Robert Anne.

Direction is by Leigha Marie Eichhorn and choreography is by Mary Loliger. It’s hard to know who did what because the production is practically all musical, but Ms. Eichhorn and Ms. Loliger have put together a seamless and happy romp with lots of variety and never a dull moment.

The classroom set with desk, chalkboard, and St. Anthony is by Chuck Ziehl and costumes (including Sister’s sequined black sneakers – a fun touch) are by Janet Ziehl. Producer Douglas H. Kern has found a lovely new home for his theatre company and aptly selected a season of small scale shows to present in this pleasant, intimate setting. One word of advice for future audience members – bring a seat cushion with you.

There’s a lot of audience interaction in this show! When the house lights come up, be prepared to dance and sing with Sister. And, here’s a tip — if you volunteer to participate in the show, Sister Robert Anne might give you a prize. I got the key to heaven which, you have to admit, is a pretty darn cool thing to have!

The theme of the show is “every day of the week is a Saturday when you’re doing what you choose.” It was clear that both Ms. Perkins and Mr. Szablewski are happily doing what they chose and equally clear that the audience wouldn’t have chosen to be anywhere else. Sister Robert Anne’s Cabaret is a crowd pleaser and got a well deserved standing ovation from the enthusiastic opening night audience.

Sister Robert Anne’s Cabaret Class runs 90 minutes including one intermission. 

Sister Robert Anne’s Cabaret Class runs until November 18, 2019. Click here for tickets.