If you want to quickly check this review to see if you should see “Fun Home” presented by Musicalfare Theatre at Shea’s 710 Theatre, the answer is not only should you…you MUST.
. . .[a] must-see production. . .
Jeanine Tesori and Lisa Kron adapted Alison Bechdel’s autobiographical graphic novel to create “Fun Home.” The Broadway production took home five Tony Awards, including Best Musical, Best Book of a Musical, Best Original Score, and Best Direction of a Musical (Sam Gold). As Alison’s father Bruce, Michael Cerveris won the Tony for Best Leading Actor in a Musical. The show is a modern memory play, narrated by 43-year old Alison and detailing her life journey, coming to terms with her sexuality just as her father struggles with his own complicated feelings.
I criticized Musicalfare’s production of “Ragtime” earlier this year for lack of orchestra, but this production of “Fun Home” has no trace of that flaw in it. A delightful 7-piece orchestra under the command of Musical Director Theresa Quinn plays the Tesori score to perfection, and that’s not a word I use lightly. She and director Susan Drozd have assembled a team of Broadway caliber actors; Drozd’s work here might fly under the radar because the structure of the show works so well on its own, but she is to be commended. Every moment has driving forward momentum and makes excellent use of the unique space at Shea’s 710 Theatre.
Musicalfare’s cast is so good it’s almost unbelievable. Carrying most of the show’s load as the “present day” Alison, WNY transplant Robyn Lee Horn just flat out gets it. She understands Bechdel’s sense of style, sometimes interjecting a one-liner to lighten a mood, sometimes presenting the tragic moments of the tragicomedy by stating them simply. And yet, in the musical number “Telephone Wire” towards the end of the show, she shows an unbelievable range of emotion. As she stands observing Chris J. Handley’s master class “Edges of the World,” we watch her experience the turbulent moment ourselves, as she stands in the aisle.
I mention Handley’s performance in “Edges of the World” because it’s the culmination of an expertly crafted performance. Thank goodness In addition to his role as Associate Artistic Director at Alleyway Theater, he’s the head of Theatre School of WNY and imparting his exquisite technique to young actors in the area. I’m a big Cerveris fan, but I found Handley’s performance as Bruce to be even more captivating. The audience feels every challenge Bruce faces, and his penchant for honest delivery makes for an incredible performance.
Medium Alison, the manifestation of Alison’s college self, is here played with ease by Renee Landrigan. Landrigan is one of Buffalo’s most versatile actors, and she, Horn, and Young Alison (Jane Hereth) have obviously spent some serious time working to unify their mannerisms. Landrigan embarks on self-discovery with a delightful optimism, aided by her college girlfriend Joan (played ably in this production by LauRen Alaimo).
Hereth’s performance as Young Alison has a strength well beyond her years. It’s an extremely difficult role, vocally and in terms of acting, but Hereth has no trouble. 710 is a HUGE space for a young actress to fill, but Hereth’s “Ring of Keys” fills it no problem. As her brothers, Joseph Bielecki and Jasper Brown make the best of their limited stage time. Brown is especially excellent, though it’s in his blood (his mother is also a Buffalo actress and successful singer-songwriter, and his grandfather Music Directed Ring of Fire in the same auditorium when it was Studio Arena).
Rounding out the cast is Steve Copps, who moves character to character with ease. He’s an essential function of the storytelling and doesn’t make too much or too little of each moment.
The must-see production only runs through May 19th, so get your tickets now.
Run time: 1 hr 40 with no intermission
“Fun Home” runs until May 19, 2019, is produced by MusicalFare Theatre and is presented at Shea’s 710 Theatre. For more information, click here.
Categories: Nathan Miller Reviews