31st Annual Buffalo Quickies

What’s not to love about 31 years of Buffalo Quickies at Alleyway Theatre? This is an annual showcase for (mostly) new short plays and a versatile team of local actors who take on several roles in a jam-packed evening. From angry drivers, to chickens facing mortality, to Bills fans, or activists, Buffalo Quickies is a stretch night for the actors and audience a like; with seven short shows, there’s an always a hit and a miss, and it’s all part of the fun. Director Chris J Handley picked an interesting rundown this year and the acting and production team fit it all well.

The evening started with Buffalo Porno, a look into our region’s film production future. Actors Matthew Rittler and Colleen Pine are voice-over actors for ‘adult’ films produced in Tonawanda. There’s one concern from the audience: their accents. “We don’t have aaaaaacccents!” Pine’s character exclaims, as Kate Olena, representing the Canadian production company, gently tries to soften those edgy vowels.

Next up, The Great Steven Stravinsky, is a backyard magic show where the sibling agita can’t be tamped down. Olena is back as the pre-teen love interest with Michael Starzynski and Joey Bucheker as the bickering brothers. This was my miss of the night: I’m not a fan of magic acts or adults portraying children, although this trio gives it a good go. Olena is charming and sweet, Starzynski is committed with perfecting his craft in the throes of adolescence, and Bucheker wins at being the annoying kid brother.

The Commune of Mutual Aid and Education for the People by Angela Davis with Special Guest J.Edgar Hoover has Rachel Diana Henderson as Davis hosting a Mister Rogers-like narrative where social justice is the message. Instead of a cozy cardigan, she doffs her weapons for a funky fringed vest and slips off her boots for bunny slippers. Adam Kreutinger’s puppets are the special guests in the puppet theatre.

Pine and Rittler are star and stargazer who get caught in an elevator in Never Let Go.  Yes, romance can spark when an elevator cable snaps, while the security guard is angry with a pizzeria delivery and the SWAT rescuer is open to suggestions.

Bumper to Bumper is the longest short of the night and this one is rich with four stories the could easily interweave into a full production. Three cars are among many stuck on an expressway. Rittler is the potty-mouth driver who lashes out with violent threats. Bucheker and Henderson are not-so-newlyweds on their way to a romantic weekend where they hope to rekindle their love and work past some festering issues. Starzynski and Olena are the older married couple who remember love’s depth. Pine is perfection as their sassy daughter who keeps all three cars in check.

In Chicken is Condemned to be Free, Olena and Starzynski are clucking around like two chickens with their heads cut off…literally. There they are, on the side of the stage. I loved Olena’s restless circling and how Starzynski deftly interjected squawks into his sentences. Todd Warfield’s chicken costumes are outstanding. Playwright Jessie Jae Hoon weaves some thoughtful inside about immortality into the humor. Ironically, this is the show that will linger with you after you leave.

The evening ends with Seventeen: The (Unofficial) Josh Allen Musical, written by Philip Farugia and Amy Jakiel. This is a hoot, with music and dancing to boot. Bucheker and Rittler as online gamers track down Josh Allen and challenge him to a game. This was a fun way to end the night.

Alleyway does a fine job keeping this tradition alive and it’s good to have it anchored into the Buffalo theatre season. Each actor had his own moment to shine, too, proving that every role matters, large or small. I will admit again that I loved how innovative the team was for season 30, when in the midst of COVID, Quickies was staged as a Main Street walking tour. While I’m sure last year was a logistical nightmare to plan and implement, it is landmark in my memory as an exemplary theatre experience.

That being said, Buffalo Quickies 31 is a fine night, a little longer than two hours, with a brief intermission to enjoy the snazzy lobby.  It’s onstage to March 19; find details at http://www.alleyway.com.