Along with “The Phantom of the Opera,” “Wicked,” and “The Lion King,” Les Miserables is just one of those shows that won’t stop touring. It’s rare to come across someone who hasn’t seen the show or its criticized cinematic counterpart which begs the question, “why bother?”
“Whether it’s your first or fiftieth time seeing Les Miserables, it remains a powerful musical that brings audience members to their feet and leaves them in tears”
The long-running musical is based on Victor Hugo’s novel of the same name, following ex-convict Jean Valjean in 19th Century France after he is released from a 19-year stint in jail stemming from stealing bread for his family. After he meets a bishop who offers him food and shelter and lies to protect him from being arrested again, Valjean is motivated to live a more honest and good life while trying to escape shadows from his past, including former prison guard-turned police inspector Javert.
One of the things I’ve noticed about Les Mis since the production design was revamped almost a decade ago is the focus on more raw performances, which was also undoubtedly a result of the popularity of Hugh Jackman, Anne Hathaway and the 2013 film cast singing live in the movie. Since then, including on the musical’s 25th anniversary 2010 album, the vocals have gotten less by-the-book and actors appear more free to shake things up. It was refreshing to see that theme continuing on this tour.
Patrick Dunn commands the stage as Valjean, expressing incredibly intense emotions through an unwavering voice. Dunn is strongest on an audience favorite, the tear-inducing “Bring Him Home.” Preston Truman Boyd is an outstanding and increasingly unstable Javert, slowly unraveling as his views on faith and the law start to blur as the years go on.
Phoenix Best was a phenomenal Eponine, a scrappy and love-stricken street urchin pining after Joshua Grosso’s Marius. While Grosso’s early interactions with Cosette (sweet songstress Jillian Butler), were a touch too silly for my liking, his voice soared on the part; a quality I am thankful for since being scarred by the Nick Jonas 25th anniversary concert portrayal.
While the entire cast was spot on, I have to mention one additional performer – Matt Shingledecker as Enjolras, the leader of the student revolutionaries. For some reason, that is always the performance that makes or breaks the show for me. Fortunately, we were blessed with Shingledecker’s aggressive energy and powerful tenor leading us through the latter half of the show, soaring in every song and inspiring his fellow Frenchmen (and women) to join the cause, no matter how impossible it seemed.
As I mentioned earlier, the newer (relative to Les Mis) production design really expands the set capabilities for the show, which never stops moving. The projections by 59 Productions are especially great coupled with Paule Constable’s lighting design.
Whether it’s your first or fiftieth time seeing Les Miserables, it remains a powerful musical that brings audiences to their feet and leaves them in tears. This cast is vocally top-notch and makes for a memorable evening during this holiday season.
Running Time: Approximately two and 55 minutes including a fifteen-minute intermission.
“Les Miserables” runs through December 15 at Shea’s Performing Arts Center For more information and tickets, click here.
Categories: Mary Best Reviews