I wanted to hate this show. When I saw “Mean Girls” perform at the Tony Awards, I couldn’t even fathom how this was going to last. I didn’t understand the reason for the big Broadway sounding number in the middle of the high school cafeteria. I didn’t understand the song tone changes. I was very indifferent to the next Hollywood film being adapted for the Broadway stage. Boy was I wrong. Sure “Mean Girls” is not the best written musical, but it sure does entertain. It has the Tina Fey quality of jokes that we know and love. I didn’t stop laughing. The score was so interesting, I bought the piano sheet music. Overall, it has developed into a guilty pleasure of mine (don’t tell my girlfriend, she’ll want to go see it again!) When it stops in your town, go see it, or you might make it into the “Burn Book” for being cheap. . .
When it stops in your town, go see it, or you might make it into the “Burn Book” for being cheap. . .
“Mean Girls” is based on the 2004 film written by Tina Fey, who adapts her screenplay for the stage. It tells the story of Cady (Danielle Wade) who has lived her entire life in Africa, and who has been homeschooled. When her family relocates to Illinois, she is brought into a culture shock of public high school. Upon arrival, Cady meets Janice (Mary Kate Morrisey) and Damian (Eric Huffman) who explain the food chain of high school and set her on an adventure to infiltrate Regina George (Mariah Rose Faith) and The Plastics, the most popular girls in school.
Danielle Wade has a voice that is so powerful that you have a hard time believing that a human being can produce that sound. I am happy to see her still going strong after her stint as Dorothy in the “Wizard of Oz” which appeared at Shea’s a few seasons ago (I also was able to interview her about the show then!) She knocks this role out of the park.
Mariah Rose Faith plays the mean, nasty, love to hate and hate to love, Regina George. Wow! What a stage presence! What a “de-mean-or.” Her performance in “Rocking Around The Pole” had me laughing so hard that the lady sitting next to me looked at me in disgust three times! (she also had her cell phone out and was texting so I truly think it was a fair trade off).
Mary Kate Morrisey did an awesome job as Janice in this show. Along with Eric Huffman’s Damian, the two tell the story, get the laughs, and keep the audience on the edge of their seats. Their comedic timing is perfect.
Jonalyn Saxer plays Karen, the extremely attractive, and completely airheaded Plastic to a tee. She is very entertaining, very funny, but she brings a great charm to the stage. Yes, Saxer is portraying a dimwit, but she is one of the most “real” characters in the show. Fantastic acting.
Gaelen Gilligand is hilarious as a trio of the adult female characters in this production. She lets her inner Tina Fey out, and if you close your eyes, you’d think that Ms Fey was actually on stage.
Jeff Richmond’s score had me scratching my head at times, wondering what the score was trying to be? Was it a parody of Broadway showtunes? Was it a pop/rock musical? Was it an early Andrew Lloyd Webber style were many different genres would be used? I’m not sure, but it’s loud, it’s powerful, and it fits inside the world that his wife creates.
Scott Pask’s completely digital scenic design works so well in this show. At first I thought that the screens would take away from the theatrical experience, but they only complement them.
Overall, I had a blast, and sure the story is called “Mean Girls” but if the story has one theme, it’s that we need to treat each other better. Except when it comes to getting tickets to this show. Push, kick, toss, slap, do whatever you need to do to get your seats! This show will sell out wherever it goes.
Running Time: 2 Hours 45-minutes with one 15-minute intermission.
“Mean Girls” launched it’s national tour in Buffalo New York, and continues to travel across North America. For more information, click here.
Categories: John Szablewski Reviews