A lot can happen in one night.
You could fall in love. Or realize it’s not love anymore. You could connect with a former flame. Or find out that our best friend really has your heart in a surprising way. Your broken heart could get mended. You might see love in a surprising new way. Or you could just revel in the beauty of the Northern Lights and wonder about love’s possibilities.
“Almost, Maine” isn’t the dramatic powerhouse that often dominates the RLTP schedule, but there’s depth that’s worth exploring in each vignette.
Welcome to “Almost, Maine,” presented by Road Less Traveled Productions and onstage at Shea’s 710 Theatre to February 24. Playwright John Cariani introduces us to nine couples in quick vignettes as they discover new things about love and themselves all on the same winter’s night in this quaint and quirky (fictitious) town.
Each story is charming. Some folks may think they’re goofy, but there’s a lot of heart in these stories, even the tales that deliver us from the love we think we share. First we meet Pete and Ginette as they make shy declarations and clumsy analogies about physics. (Spoiler alert: we see them again. You have to love a show with a prologue, interlogue and epilogue). Next up are Glory and East who don’t expect to find love in a former potato patch. ‘They Fell’ has best buds Jimmy and Steve competing to see who has the worst dates, until they figure out the reason why their dates are trainwrecks. ‘The Story of Hope’ is wistful about the love that might have been, and ‘Seeing the Thing’ reminds Dave and Rhonda that taking a risk is a good thing. You get the picture: it’s everyman and everywoman in any stage of life.
It’s easy to see why “Almost, Maine” is so often produced. The cast can flex from a quartet to up to 19 actors. The set can be simple. Props are minimal and most costuming is the kind of outerwear we’re all donning this time of year (parkas and gloves and hats, oh my). Director Doug Weyand kept it blissfully simple with four versatile actors (Eve Everette, Wendy Hall, John Kreuzer, and Nicholas Lama) on a stark white set designed by Lynne Koscielniak with some interesting faux snow texture, and a subtle kaleidoscope of lights artfully designed by John Rickus. Sound designer Katie Menke selected lovely original music by Julian Fleischer to set the tone. It’s upbeat, acoustic, a little bit of fiddle and a whole lotta soul that sets the perfect mood. Weyand’s actors were good choices, too, as the residents of this place that never got too big or too organized to be officially called a town. It’s a little bit “Brigadoon” meets Bedford Falls with a dash of Northern Exposure, and it’s fun and thoughtful at the same time.
“Almost, Maine” isn’t the dramatic powerhouse that often dominates the RLTP schedule, but there’s depth that’s worth exploring in each vignette. Nobody said that love and life have to be serious.
This is an early night (90 minutes with an intermission) with a short run (to February 24), so make your plans before it’s too late. And don’t forget to look up at the stars on your walk back to your car.
Categories: Cherie Messore Reviews