There’s a fascination with Bertolt Brecht, especially in times of political…shall we say…absurdity. His theater of alienation is rooted in lack of formula; he desired to pull the audience into the story and then yank them out of it. It’s almost like Brecht’s work aimed to point out the absurdity of theater. Pair that with … Continue reading Theatre Review: ‘The Threepenny Opera’ at the Center For The Arts