‘Riverdance’ visit’s Shea’s Buffalo Theatre

The 25th Anniversary Show of Riverdance made its way to Shea’s Buffalo Theatre this past weekend with three Buffalo-natives in the cast. This thrilling addition was the cause of several mid-show standing ovations like I’ve never seen before! The excitement filled the air for Erin Lynch, Fiona Dargan, and Kevinah Dargan along with the rest of the incredibly talented cast and production team.

The original Riverdance that premiered at The Point Theatre Dublin 25 years ago has been reimagined in this captivating anniversary show with new additions in lighting, stage designs, costuming, and music. This theatrical show consists mainly of traditional Irish music and dance with occasional features of flamenco, Russian folk dance, and American tap. Even if you aren’t particularly knowledgeable about dance, you’re sure to be fascinated by the effortless movement on stage accompanied with complex rhythms and incredible musical talents. As a dancer myself (primarily trained in classic ballet pointe), I found this performance all the more interesting from a technical point of view. 

Irish Dance and Ballet differ in many ways, but also have a great number of parallels. For example, the idea of having principal dancers backed by a troupe or corpse is the same as well as the overall goal of making even the most intricate routines appear easy and light. Something that differed that I particularly enjoyed was the air of confidence and attitude possessed by the female dancers. Instead of having to appear dainty, sweet, and fragile as is often the goal in ballet, these Irish dancers present themselves with sass, flair, and empowerment. The way they move across the stage is almost unreal in that they just seem to float from one place to another with such speed and power. 

The musicians of this production, especially Emma Frampton, Tara Howley, and Haley Richardson, are extremely talented and make their instrumental “face-offs” exceedingly enjoyable to watch. It seems like everyone is having fun and is so passionate about what they do that you can feel it as an audience member. The Riverdance Singers have the traditional, angelic voices we equate to celtic music that transcends you to the peaceful rolling hills of Ireland and eases your mind so you can only focus on the beauty of their sound. 

The audience continued to be an active participant throughout the show, getting involved with clapping, cheering, and reacting to the performance. The buzz of energy and delight that filled the theatre was unlike anything I’d felt before when attending a typical Shea’s season show. Perhaps it was the attendance of all of the Rince Na Tierne dancers- past and present, young and old- that created such a buzz. The feeling of seeing the possibility of your dreams coming true and turning your hard work and passions into a career like the dancers on stage is made even more achievable and palpable. 

Overall, this is an exciting show you won’t want to miss. Even if you think you’ve seen it before, you’ve never seen it like this! If you missed it in Buffalo, it’s headed to New Brunswick, NJ next. Definitely worth the day trip- you won’t be disappointed! 

For more information, click here.

Pretty Woman The Musical at Shea’s Buffalo Theatre

The national touring company of “Pretty Woman The Musical.” Photo courtesy of the company.

When looking for inspiration to create a musical, writers will often turn to source material that is already extremely successful. They figure you can’t go wrong with expanding upon something the public already loves, right? For the most part. But you also run the risk of not living up to the expectations of an audience that is already devoted to the movie fandom. In many cases, this has been successful like in Legally Blonde, Heathers, and Waitress. So why not take another cult classic and create a dazzling theatrical experience?

Pretty Woman is a musical based on the hit 90s rom-com of the same title. Who can forget the steamy exchanges between Julia Roberts and Richard Gere, the iconic outfits, and the quotable scenes? Coming into Shea’s Performing Arts Centre, I was hopeful the musical Pretty Woman wouldn’t disappoint me as a huge fan of the original movie. I had low expectations, but an open mind. Shortly after the curtains opened–figuratively speaking as the show begins on an already presented stage—I realized that while the show may not be a lifelong classic hit, it sure is FUN! It has all the elements of a fast-moving, razzle-dazzle musical: big numbers, stunning costume pieces, and comedic flair. 

In case you’re unfamiliar with the storyline, Pretty Woman tells the tale of a Hollywood Boulevard hooker, Vivian Ward (Olivia Valli), who falls into luck when she is hired by billionaire businessman Edward Lewis (Adam Pascal) to be his date for a week to various business and social functions. She also takes up residence in his penthouse hotel room for the week and is provided with a complete shopping spree to help her look the part. Vivian is very clear that in her line of business, she mustn’t get attached to any of her clients and thus refuses to kiss Edward on the mouth even though she’ll engage in various other acts with him. This is fine for Edward who finds any form of “strings-attached” relationships to be too challenging with his professional lifestyle. It’s the ages old “will they or won’t they??” that drives audiences wild. 

Although the main focus of the movie is clearly Vivian and Edward, the stage-show brings an additional focal point: Happy Man! Happy Man is portrayed by Kyle Taylor Parker and is hands-down my favorite character of the show. He represents a variety of characters throughout the production including a Hollywood street-dweller, the hotel manager, an orchestra conductor, and a retail store manager. Parker’s ability to morph into different characters while maintaining the same level of comedy was hysterical. The whole scene featuring “On a Night Like Tonight” had me laughing out loud the entire time and really enjoying myself. 

Of course, you can’t forget Broadway’s Adam Pascal. I was very surprised he didn’t receive applause upon his first entrance, but it’s possible not all audience members were aware of his star-status. Adam brought outstanding rock-vocals to the role that are stylistically similar to his work in Rent. However, there was another surprising character who wowed the crowd enough to receive several midperformance ovations: Amma Osei as Violetta during the opera scene. Truly well-deserved. Jessica Crouch has an absolute powerhouse of a voice as Kit De Luca and Olivia Valli very accurately represents Vivian Ward, which isn’t easy considering she’s automatically compared to Julia Roberts.

Overall an issue with this storyline is that it may not have aged well. The concept at its core may come across as a bit “hopeless damsel in distress rescued by a rich, white guy”. Gary Marshall & J. F. Lawton clearly didn’t set out to reinvent the wheel here. They took a classic and reproduced it almost verbatim in a different entertainment medium. Almost all of Vivian’s costumes were even exact replications of the film’s version. Could it be updated? Yes. Should it be updated? Maybe. Of course, then you run the risk of angering fans for not staying true to the original. It’s a challenging line to walk. However, if you’re looking for a fun, feel-good, familiar show, this is the show for you. Major fans of the original movie will be delighted. 

Running Time: 2 hours and 30 minutes with one 20-minute intermission

Show runs until Dec 5, 2021 and is presented at Shea’s Buffalo Theatre. For more information, click here.