The Buffalo Philharmonic Orchestra and the Irish Classical Theatre Company will offer another collaborative program January 17-19 when “A Midsummer Night’s Dream” pairs a beloved William Shakespeare comedy with music composed by Felix Mendelssohn.
It’s a double duet – two world-class arts organizations and two classic bodies of work – creating a dynamic performance in Kleinhans Music Hall. This is the fourth performance coupling for the BPO and ICTC.
“It is an honor for the BPO to welcome the audience of the ICTC into our house,” says BPO music director JoAnn Falletta. “The Buffalo Philharmonic reached out to the company several years ago to explore a partnership combining Moliere’s The Bourgeois Gentleman with the music of Richard Strauss, and the result was so delightful, funny and felicitous that we realized we had to find other projects. Amadeus (with the music of Mozart) was also superb, and very different in character-probing, tragic and unforgettable. The combination of two geniuses- Shakespeare and Mendelssohn in A Midsummer Night’s Dream is a perfect marriage, and I think that it will be our best partnership.”
Fortunato Pezzimenti, ICTC’s associate director agrees: “It’s such a celebration for the theatre company to work with the orchestra. It’s wonderful for the company to perform with this magnificent orchestra behind them.”
Bringing two artistic organizations together takes some finessing, on stage and off. Pezzimenti said, “It’s not difficult but we have to be smart about it.” The actors will share the Kleinhans Music Hall stage with the orchestra, which is a completely different size and shape than the cozy dimension of The Andrews Theatre, ICTC’s Main Street home base. Pezzimenti said, “The stage is very, very wide and not very deep. There are limitations to the set design.”
Pezzimenti said the set (designed by David Dwyer) will be minimal and costumes designed by Lise Harty are “significant to create the beauty, wonder, and magic of the piece.”
Sharing the stage with the BPO will be: Vincent O’Neill as Oberon/Theseus; (Falletta said it’s a “lovely detail” that ICTC Co-Founder and Artistic Director Vincent O’Neill played the starring role in the three previous productions, too); Aleks Malejs aTitiana/Hippolyta; Brendan Didio a Philostarte/Puck; Chris Kelly as Egeus/Quince; David Wysocki as Lysander; Nick Stevens as Demetrius; Kayla Storto Hermia; Kit Kuebler as Helena; Phil Farugia as Bottom; Kevin Kennedy as Flute; Dudney Joseph as Snout; David Lundy as Starvling; and Gerry Maher as Snug. Soprano Karen D’Angelo and Vocalis Chamber Choir alto Maria Parker will sing the fairy roles.
Pezzimenti said the actors are proud to be part of this collaboration. “It’s a tremendous honor to be cast in something like this,” he said. Actor David Lundy says the cast dynamic – a mix of seasoned stage actors and “some fresh young talent” – with the BPO create a very special theatre experience. “It’s novel for experienced concert-goers and theater patrons alike” said Lundy. “They’re seeing one of Buffalo’s finest acting companies performing front of a world-class orchestra, with classical music composed directly for the play being shown. Both the audience and the performers are thrilled in a way that doesn’t happen for a typical play.”
Falletta agrees: “It is truly thrilling to come together with our actor ‘cousins’. Our art forms share so many similarities and values, and it is very inspiring to have the ICTC on the stage with us. We feel their energy and respond to it, and they tell us that having the music swirling around them is an amazing experience for them. It also is interesting for them to work in a house that seats 2400 people, and to project their artistry into a large space. We learn from the actors, and grow, and frankly have a spectacular time collaborating with these great artists. I am always astonished at how musical the members of the ICTC are – their flexibility, their open-mindedness, their enjoyment of music – truly is an inspiration to us.”
There are only three performances – Friday and Saturday evenings, January 17 and 18 and a Sunday, January 19 matinee. Plan to arrive an hour earlier to attend the pre-concert talk: Ms Falletta and members of the cast will give you an insider’s look into the production. Tickets are available at http://www.bpo.org